Ren & Stimpy Wiki
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The Big Shot the second episode of "The Ren and Stimpy Show" it originally aired on August 11, 1991.

Characters:

Summary

Stimpy absoloutely loves living in Hollywood (how he got there can be explained by the episode Stimpy's Big Day). He also loves being an extremely famous person (cat). But soon he starts to miss Ren (as much as Ren misses him) and ends up giving up all of his fame and his boat loads of cash to go back and once again see Ren.


Production Music

List of music used below. 

- Big Show Theme – Robert Sharples 

- Valse Moderne – George Fenton, John Leach 

- L’Esprit de Paris – John Leach 

- Stop Gap – Robert Sharples 

- Quiz Organ (a) – Curtis Schwartz 

- Stop Gap – Robert Sharples 

- Tom Fool – Van Phillips 

- Softly She Sleeps – Cedric King-Palmer

- Waltz of the Flowers – Ron Ronsted, Pyotr Ilyich Tchaikovsky

- Dramatic Impact 2 – Ivor Slaney 

- Hollywood Holiday – Frank Samuels 

- Spring Song – Felix Mendelssohn 

- Saw Theme – William Trytel 

- Waltzing in Dreamland – Alan Moorhouse 

- Workaday World – Jack Beaver 

- Hollywood Romance – Peter Yorke 

- Romeo and Juliet Fantasy Overture followed by "Pathétique" Symphony No.6 – Pyotr Ilyich Tchaikovsky 

- Domestic Fun (c) – Ernest Tomlinson 



TranscriptTo view the transcript, click here.

Notes

  • This episode is always aired side by side with Stimpy's Big Day as it would make no sense to viewers who had never seen it.

Goofs

  • When Mr.Horse smells the Gritty Kitty box (a.k.a Box B) for a little, the box says A when it should say B.

Trivia

  • The scene where Muddy and Stimpy are seen running in the cartoony style is a homage to Yogi Bear and other various Hanna Barbera cartoons, also Stimpy quotes lines from The Jetsons, Pixie and Dixie, Popeye and even Elmer Fudd from the Looney Tunes shorts. 
  • This is one of the few episodes where Ren is shown to really care for Stimpy, for he gets emotional when he's all alone, even close to tears. 
  • When Ren answers the door to find that Stimpy had returned is somewhat referenced and redone in Son of Stimpy, with the same movements, same background music and identical timing almost.
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